Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Simon Lässig, There’s something like pain in the room, and it‘s partly overcome: but the weight of objects wins, 2023
Simon Lässig, There’s something like pain in the room, and it‘s partly overcome: but the weight of objects wins, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Simon Lässig, 2:23 minutes from: Anyaság, 1974 As I watch Anyaság (Motherhood) from 1974, I come to know again how one learns to look through other people, how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat–about how we are con- ditioned–then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A re- ality comes into being that is closed off and something I’ve seen before repeats itself, 2022
Simon Lässig, 2:23 minutes from: Anyaság, 1974 As I watch Anyaság (Motherhood) from 1974, I come to know again how one learns to look through other people, how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat–about how we are con- ditioned–then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A re- ality comes into being that is closed off and something I’ve seen before repeats itself, 2022
Simon Lässig, 2:23 minutes from: Anyaság, 1974 As I watch Anyaság (Motherhood) from 1974, I come to know again how one learns to look through other people, how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat–about how we are con- ditioned–then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A re- ality comes into being that is closed off and something I’ve seen before repeats itself, 2022
Simon Lässig, 2:23 minutes from: Anyaság, 1974 As I watch Anyaság (Motherhood) from 1974, I come to know again how one learns to look through other people, how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat–about how we are con- ditioned–then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A re- ality comes into being that is closed off and something I’ve seen before repeats itself, 2022
Simon Lässig, 2:23 minutes from: Anyaság, 1974 As I watch Anyaság (Motherhood) from 1974, I come to know again how one learns to look through other people, how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat–about how we are con- ditioned–then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A re- ality comes into being that is closed off and something I’ve seen before repeats itself, 2022
Simon Lässig, 2:23 minutes from: Anyaság, 1974 As I watch Anyaság (Motherhood) from 1974, I come to know again how one learns to look through other people, how we take in, adapt and alter their thoughts, views and feelings. And if the rest of the film speaks about how we mimic and repeat–about how we are con- ditioned–then these stretched 2 minutes and 23 seconds remind us of the opposite: Of a moment in which we look out into the world and do not see ourselves reflected back. A re- ality comes into being that is closed off and something I’ve seen before repeats itself, 2022
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Elene Chantladze, Untitled
Elene Chantladze, Untitled
Elene Chantladze, Untitled, 2022
Elene Chantladze, Untitled, 2022
Elene Chantladze, Me Bunebis
Elene Chantladze, Me Bunebis
Elene Chantladze, Untitled, 2017
Elene Chantladze, Untitled, 2017
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Elene Chantladze, The Mayor
Elene Chantladze, The Mayor
Elene Chantladze, Untitled
Elene Chantladze, Untitled
Elene Chantladze, Untitled
Elene Chantladze, Untitled
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Installation view, Elene Chantladze, Simon Lässig, 2023
Simon Lässig, There’s something like a destination in the room, and it has already taken place: but the weight of its direction lasts, 2023
Simon Lässig, There’s something like a destination in the room, and it has already taken place: but the weight of its direction lasts, 2023