Anastasia Pavlou

Anastasia Pavlou (b. 1993, Athens, Greece) lives and works between Athens, Greece and Basel, Switzerland.

Her recent solo exhibitions include Field, LC Queisser, Tbilisi (2026); The Light that Burns, Hot Wheels, Athens; Notes and Counter Notes on the Light that Burns, Atelier Amden, Amden (2025); The Sleeper, Balice Hertling, Paris; The Death of Louise, Chapters One, Two, and Three, Art Basel with Balice Hertling, Basel (2024); Catalogue of Days, Harmony100, Basel; Reader, part 2; The Reader Reads Words in Sentences, Hot Wheels, London; Reader, Hot Wheels, Athens (2023); Suite 232, at Grande Bretagne with Hot Wheels, Athens (2020); Belly Ache, Hot Wheels, Athens (2019).

Her works have been exhibited at Forde, Geneva; Ilenia, London; Palace Enterprise, Copenhagen; Kunsthalle Friart, Fribourg; Kunsthaus Langenthal (2026); GGG Atelier Haus, Basel (2025); Amberbachstrasse 87, Basel; Balice Hertling, Paris; Kunstmuseum Appenzell (2024); Marytwo, Lucerne (2023); Ausstellungsraum Klingental, Basel; Kunsthalle Basel (2022); Keiv Space, Athens; 44 Eptanisou Str., Athens (2021); Hot Wheels, Athens; Benaki Museum, Athens (2019).

Her publications include Image Making (Athens); Subjectively Speaking the Book of Genesis (Kasterlee); Image Drum, with Long Distance Press, initiated within the Royal Academy, London; and Notes From The Country Of The Lotus Eaters, Dolce Publications, Athens.